Saturday, July 30, 2016

Art through the Ages: A Sight for Sore Eyes

A course in the history of art in eight two-hour sessions.

Catalog Description: Immerse yourself in the healing beauty of art through the ages. The story of art is one of ever-expanding possibilities: greater freedom, greater individuality, greater variety. Through interesting and entertaining slide shows, visit the major art museums of Europe and New York and learn the big names in art history. By touring the Louvre, the Rijksmuseum and other celebrated art museums, discover why the paintings of great artists like Raphael, Rembrandt, and Renoir are rated among the world’s greatest treasures. This course is a must both for travelers and for stay-at-home art lovers.

Course Outline:

Session One: Art from the Beginning: The Italian Masters

Session Two: Dutch Painting in the Golden Age

Session Three: The Early Masters of French Art

Session Four: Impressionism and Post Impressionism

Session Five: Modern Art in Paris

Session Six: Modern Art in the Netherlands

Session Seven: Modern Art in Spain

Session Eight: Modern Art in New York

Expanded Course Outline:

Session One: Art from the Beginning: The Italian Masters

The Italians more or less invented painting as we know it, way back in the 1200s. At first, painting was mainly church decoration—simplified, flat illustrations of sacred stories and ideas. The way Italian painters gradually became stars of culture, the way they widened their subject matter, the way they developed and refined their style—this is a beautiful story, told with a parade of beautiful and moving images. Your ability to appreciate the art of any period is enhanced by studying the roots of art history.
  • The Louvre
  • Cimabue, Fra Angelico, Mantegna, Botticelli, Ghirlandaio, Perugino, da Vinci, Raphael, Bronzino, Vasari, Titian, Tintoretto, Veronese, Caravaggio, Guido Reni, Panini

Session Two: Dutch Painting in the Golden Age

The economy of the Netherlands was booming in the 1600s, and wealth was rather widely distributed. Instead of depending on the land and agriculture, the economy depended on commerce and manufacture; thus, instead of the nation's wealth being hoarded by royalty and the landed aristocracy, it was accumulated by a fairly large class of merchants and traders. This had a good effect on art because a lot of people could afford to acquire or commission works of art. This large art market enabled the development of many talented artists.
  • Rijksmuseum, Frans Hals Museum, Mauritshuis
  • Frans Hals, Rembrandt, Vermeer, Jan Steen, Judith Leyster, and Rachel Ruysch

Session Three: The Early Masters of French Art

There's more to French Art than Impressionism! Baroque art of the 1600s was flamboyant and dramatic; in the 1700s, Rococo art generated delicately sensuous fantasies, and neo-Classicism retold the classical myths in support of modern political movements. The late 1700s also saw a beautiful flowering of successful women artists. In the early 1800s, Romanticism manifested in great historical dramas, and artists began to treat the landscape as an important subject in itself, instead of just a background.
  • The Louvre
  • School of Fontainebleau, Simon Vouet, de La Tour, Poussin, Lorraine, de Champaigne, Watteau, Chardin, Boucher, Fragonard, Hubert Robert, David, Vigée-LeBrun, Labille-Guiard, Ingres, Géricault, Delacroix, Corot

Session Four: Impressionism and Post Impressionism

At the moment of perfect ripeness in the development of French painting in the late 1800s, Impressionism burst forth like fireworks and changed art forever. Post-Impressionism laid the foundation of modernism.
  • The Orsay Museum
  • Jean-Léon Gérôme, Bouguereau, Tissot, Bonheur, Breton, Courbet, Manet, Gonzalèz, Monet, Renoir, Pissarro, Sisley, Morisot, Cassatt, Caillebotte, Seurat, Signac, Gauguin, van Gogh, Cézanne

Session Five: Modern Art in Paris

In the 20th century, artists tumbled from one theory to another: Fauvism, Cubism, Orphism, Abstractionism, Expressionism, New Objectivity, Surrealism, Minimalism, etc. It's enough to make your head spin, but it's not that hard to learn to tell them apart if you have a little guidance and abundant examples. Now's the time to learn the difference between Picasso and Matisse, between Salvador Dalí and Rene Magritte.
  • Pompidou Center, City of Paris Museum of Modern Art
  • Fauvism, Cubism, Orphism, Abstractionism, Expressionism, Neo-Primitivism, Surrealism, Classicism, New Objectivity, Abstraction Expressionism, Minimalism

Session Six: Modern Art in the Netherlands

After the Dutch Golden Age of the 1600s, art lost its energy in the Netherlands. In the 1700s, economic and political problems caused diminished art activity, and artists continued the same old tried and true themes. The fine arts enjoyed a revival around 1830, a time now referred to as the Romantic period in Dutch painting. The earliest Dutch artist of the modern era to achieve international fame was Vincent van Gogh. In the 20th century, Dutch artist Piet Mondrian developed a style of abstractionism that influenced the future of art. In addition to Dutch art, the museums of the Netherlands have significant examples of international art of the modern era.
  • The Kröller-Müller Museum
  • The Gemeentemuseum

Session Seven: Modern Art in Spain

It is difficult to report on the history of Spanish art for two reasons. First, you don't see a lot of Spanish art in museums in other countries. A very large portion of Spain's most important artwork has been retained in Spain, mostly at the Prado and the Reina Sofia Museums. The second problem is that the Prado doesn't allow photography at all, and the Reina Sofia prohibits photography of its most important exhibits. The one place you can photograph examples of Spain's rich art history is an academy founded by royal decree in the 1700s, the Royal Academy of Fine Arts. Here you can see works by El Greco and Murillo, and many minor works by Francisco Goya. The first Spanish artist of the modern era was Joaquín Sorolla, whose work derives from Impressionism. An extensive selection of his work may be enjoyed at the Sorolla Museum, located in the artist's studio-mansion. Several Spanish artists became well-known in the 20th century, including Pablo Picasso and Salvador Dalí. Modern Spanish art is exhibited at the Reina Sofia Museum. During our visit, the Reina Sofia was also offering two special exhibits from Bern, Switzerland, that presented a fairly comprehensive review of art of the early 20th century.
  • Royal Academy of Fine Arts, Sorolla Museum, Reina Sofia Museum
  • El Greco, Velázquez, Murillo, Goya, Sorolla, Picasso, Miró, Dalí
  • Special Exhibits from Bern, Switzerland, offer review of early 20th Century

Session Eight: The Museum of Modern Art in New York

The Museum of Modern Art in New York, generally known as MoMA, is the premier collection of international art of the 20th century, filled with iconic paintings. At the time of our visit, the museum had two major exhibits by modern artists, Yoko Ono and Jacob Lawrence.


Friday, July 29, 2016

ONE: Art from the Beginning: Italian Masters

Course Description

The Italians more or less invented painting as we know it, way back in the 1200s. At first, painting was mainly church decoration—simplified, flat illustrations of sacred stories and ideas. The way Italian painters gradually became stars of culture, the way they widened their subject matter, the way they developed and refined their style—this is a beautiful story, told with a parade of beautiful and moving images. Your ability to appreciate the art of any period is enhanced by studying the roots of art history.

Course Material

Italian Art at the Louvre

Names to Share

Cimabue, Fra Angelico, Mantegna, Botticelli, Ghirlandaio, Perugino, da Vinci, Raphael, Bronzino, Vasari, Titian, Tintoretto, Veronese, Caravaggio, Guido Reni, Panini

Summary

The first artist to become known as an individual was Cimabue in the 1200s, who mainly painted altarpieces with a lot of gold leaf in the background. 

The 1300s was a period of altarpieces, with modeling and perspective becoming gradually more realistic. 

The Renaissance was the period of Botticelli, Leonardo da Vinci, and Raphael. 

The Venetian School produced its own giants: Titian, Tintoretto, and Veronese. 

The Baroque period of the 1600s was dominated by Caravaggio, whose influence extended across Europe. 

In the 1700s, architectural studies were all the rage in Italy, and the master of these was Panini.


TWO: Dutch Painting in the Golden Age

Course Outline

In the 1300s and 1400s, the country we now call The Netherlands, didn't have a separate identity. It was clumped together with the country we now call Belgium and they were both referred to as the Lowlands or the Netherlands.

In the mid-1500s, the northern, protestant area began to separate from the southern, Catholic area, and also to get out from under Spanish domination. As they became unified, their fortunes improved.

The economy of the Netherlands was booming in the 1600s, and wealth was rather widely distributed. Instead of depending on the land and agriculture, the economy depended on commerce and manufacture; thus, instead of the nation's wealth being hoarded by royalty and the landed aristocracy, it was accumulated by a fairly large class of merchants and traders. This had a good effect on art because a lot of people could afford to acquire or commission works of art. This large art market enabled the development of many talented artists. We're going to try to learn the names of six of them: Frans Hals, Rembrandt, Vermeer, Jan Steen, Judith Leyster, and Rachel Ruysch.

Names to Share

Jan van Eyck, Rogier van der Weyden
Frans Hals, Rembrandt, Vermeer, Jan Steen, Judith Leyster, and Rachel Ruysch.

Museums to Visit

The Louvre, Paris
The Rijksmuseum, Amsterdam
The Frans Hals Museum, Haarlem
Mauritshuis, The Hague

Source Material

Louvre - Early Netherlandish Art

Frans Hals Museum

Rijksmuseum

Mauritshuis

THREE: The Early Masters of French Art

There's more to French Art than Impressionism! Baroque art of the 1600s was flamboyant and dramatic; in the 1700s, Rococo art generated delicately sensuous fantasies, and neo-Classicism retold the classical myths in support of modern political movements. The late 1700s also saw a beautiful flowering of successful women artists. In the early 1800s, Romanticism manifested in great historical dramas, and artists began to treat the landscape as an important subject in itself, instead of just a background.

Source

French Art at the Louvre

Names to Share

Baroque period of 1600s: Georges de La Tour, Nicolas Poussin, Claude Lorrain.

Rococo period, early 1700s: Jean-Antoine Watteau, Jean-Siméon Chardin, François Boucher, Jean-Honoré Fragonard

Neoclassicism of late 1700s: Hubert Robert, Jacques-Louis David, Élisabeth Vigée LeBrun, and Jean-Auguste-Dominique Ingres

French women artists of the 1700s: Élisabeth Vigée-Lebrun, Adélaïde Labille-Guiard

Romanticism of early 1800s: Theodore Géricault, Eugène Delacroix

Landscape painting of early 1800s: Camille Corot

FOUR: Impressionism and Post-Impressionism

Course Description

At the moment of perfect ripeness in the development of French painting in the late 1800s, Impressionism burst forth like fireworks and changed art forever. Post-Impressionism laid the foundation of modernism.

Post-Impressionism brought us van Gogh, Gauguin, and Cézanne, the giants who laid the foundation of modernism.

Source Material

Musée d'Orsay

Names to Share

Academicism, 1800s: William Bouguereau, James Tissot

Realism, 1800s: Rosa Bonheur, Gustave Courbet

Transition to Impressionism: Édouard Manet, Eva Gonzales

Impressionism, late 1800s: Claude Monet, Pierre-Auguste Renoir, Camille Pissarro, Berthe Morisot, Mary Cassatt

Pointillism, late 1800s: Georges Seurat, Paul Signac

Post-Impressionism: Paul Gauguin, Vincent van Gogh, Paul Cézanne

Wednesday, July 27, 2016

FIVE: Modern Art in Paris

Course Description

In the 20th century, artists tumbled from one theory to another: Fauvism, Cubism, Orphism, Abstractionism, Expressionism, New Objectivity, Surrealism, Minimalism, etc. It's enough to make your head spin, but it's not that hard to learn to tell these movements apart if you have a little guidance and abundant examples. Likewise, it's not that hard to recognize the masters of 20th century art after you've had a little exposure. You don't have to feel like an outsider. Now's the time to learn the difference between Picasso and Matisse, between Salvador Dalí and Rene Magritte.

Source Material

Pompidou Center

Paris Museum of Modern Art

Art Movements of the 20th Century

Fauvism

Cubism

Orphism

Abstractionism

Expressionism

Neo-Primitivism

Surrealism

Classicism

New Objectivity

Abstraction Expressionism

Minimalism




Tuesday, July 26, 2016

SIX: Art of the Modern Era in the Netherlands

Course Outline

After the Dutch Golden Age of the 1600s, art lost its energy in the Netherlands. In the 1700s, economic and political problems caused diminished art activity, and artists continued the same old tried and true themes. The fine arts enjoyed a revival around 1830, a time now referred to as the Romantic period in Dutch painting. The earliest Dutch artist of the modern era to achieve international fame was Vincent van Gogh. In the 20th century, Dutch artist Piet Mondrian developed a style of abstractionism that influenced the future of art. In addition to Dutch art, the museums of the Netherlands have significant examples of international art of the modern era.

Names to Share

Dutch Artists: Vincent van Gogh, Jan Toorop, Théo van Rysselberghe, Piet Mondrian

International Artists: Georges Seurat, Paul Signac, Wassily Kandinsky, Sol LeWitt, Bridget Riley

Museums to visit

Otterlo: The Kröller Müller Museum

The Hague: Gemeentemuseum

Source Material

Kröller Müller Museum

Gemeentemuseum




Monday, July 25, 2016

SEVEN: Madrid's Art Scene

It is difficult to report on the history of Spanish art for two reasons. First, you don't see a lot of Spanish art in museums in other countries. A very large portion of Spain's most important artwork has been retained in Spain, mostly at the Prado and the Reina Sofia Museums. The second problem is that the Prado doesn't allow photography at all, and the Reina Sofia prohibits photography of its most important exhibits.

The one place you can photograph examples of Spain's rich art history is an academy founded by royal decree in the 1700s, the Royal Academy of Fine Arts. Here you can see works by El Greco and Murillo, and many minor works by Francisco Goya.

The first Spanish artist of the modern era was Joaquín Sorolla, whose work derives from Impressionism. An extensive selection of his work may be enjoyed at the Sorolla Museum, located in the artist's studio-mansion.

Several Spanish artists became well-known in the 20th century, including Pablo Picasso and Salvador Dalí. Modern Spanish art is exhibited at the Reina Sofia Museum.

During our visit, the Reina Sofia was also offering two special exhibits from Bern, Switzerland, that presented a fairly comprehensive review of art of the early 20th century.

Museums to Visit

History of Spanish Art: Royal Academy of Fine Arts
Joaquín Sorolla: Sorolla Museum
20th Century Spanish art and Special Exhibits: Reina Sophia Museum

Source Material

Royal Academy of Fine Arts

Sorolla Museum (same article as above, half-way down)

Reina Sophia Museum

Stars of Spanish Art

El Greco, Velázquez, Murillo, Goya, Sorolla, Picasso, Miró, Dalí

International Art Stars

Van Gogh, Gauguin, Ferdinand Hodler, Ernst Kirchner, Edvard Munch, Alexej von Jawlensky, Georges Braque, Picasso, Fernand Léger, Paul Klee, Piet Mondrian, Andy Warhol, Gerhard Richter